Countercultures

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General topics: Capitalism | Development (and Alternative development) | Diversity | Globalization | Neoliberalism (➦ Corporatization of the university) | Social justice
Note: The above are some topics that research activists tend to discuss as general concepts related to causes. But these general topics do not cover all specific causes and issues actually addressed (for which see below).

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General topics: [TBD]

Age & generation groups: Children | Youth | Elderly | Generations (➦ [TBD])

Citizenship, residency, migrant groups: Citizens | Immigrants | Migrants | Refugees | Undocumented residents

Gender groups: LGBTQ | Men | Women

Economic groups: [TBD]

Professional & Occupational groups: (See also in this menu under "In Disciplines & Professions" > "Professions") Knowledge workers | Professionals | Veterans


Religious groups: [TBD]

Issues in LowerEd Research Activism: Discipline | Preservice teaching | Teaching | Curriculum (re)design

LowerEd Personnel & Research/Activism: Administration | Students

General topics: [TBD]

Arts (Creative & Performing Arts): Architecture | Art (➦ Digital artsStreet artTextile art) | Music (➦ Ethnomusicology) | Performance studies | Theater



Science, Technology, Engineering, Mathematics (STEM): AI (artificial intelligence) | Computer science | Data science | Engineering (➦ In Silicon Valley) | Environmental sciences





"None, or All of the Above": Organic intellectuals | Public intellectuals

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In the Research + Activism Bibliography, countercultures refers to movements that oppose, resist, or critique conventional or dominant society through cultural expression or practice (such as art, lifestyle, etc.) Sub-categories of counterculture include:

  • Avant-garde — innovative artistic and cultural expression in early 20th-century historical avant-garde movements (e.g., dada, surrealism, futurism, etc.) as well as any artistic movements of the 20th and 21st centuries influenced by these movements (e.g., the late 20th century neo-avant-garde).
  • Mid 20th-Century Counterculture — cultural movements of the 1940s to 1960s opposed to dominant culture (e.g., the Beat movement)
  • 1960’s-1970’s Counterculture — including widely-known countercultural movements of the period such as the Hippie movement.

 

Thompson, Craig J., and Ankita Kumar. “Beyond Consumer Responsibilization: Slow Food’s Actually Existing Neoliberalism.” Journal of Consumer Culture 21, no. 2 (2021): 317–36. https://doi.org/10.1177/1469540518818632. Cite
Kapur, Geeta. When Was Modernism: Essays on Contemporary Cultural Practice in India. Tulika Books, 2020. Cite
Woodruff, Lily. Disordering the Establishment: Participatory Art and Institutional Critique in France, 1958–1981. Durham, NC: Duke University Press, 2020. https://doi.org/10.1215/9781478090298. Cite
Tronti, Mario. The Weapon of Organization: Mario Tronti’s Political Revolution in Marxism. Edited by Andrew Anatasi. Common Notions, 2020. Cite
Clancy, Michael. Slow Tourism, Food and Cities: Pace and the Search for the Good Life. Taylor & Francis Group, 2019. Cite
Joyeux-Prunel, Béatrice. “Peripheral Circulations, Transient Centralities: The International Geography of the Avant-Gardes in the Interwar Period (1918–1940).” Visual Resources 35, no. 3–4 (2019): 295–322. https://doi.org/10.1080/01973762.2018.1476013. Cite
Rauch, Jennifer. Slow Media: Why Slow Is Satisfying, Sustainable, and Smart. Oxford University Press, 2018. Cite
Geraci, Victor W. Making Slow Food Fast in California Cuisine. Springer, 2017. Cite
Hopkins, David, ed. Neo-Avant-Garde. BRILL, 2016. Cite
Charnley, Kim. “Failure, Revolution and Institutional Critique.” Art & the Public Sphere 5, no. 1 (2016): 35–52. https://doi.org/10.1386/aps.5.1.35_1. Cite
Petrini, Carlo. Food & Freedom: How the Slow Food Movement Is Changing the World Through Gastronomy. Rizzoli Publications, 2015. Cite
Shukaitis, Stevphen. The Composition of Movements to Come: Aesthetics and Cultural Labour After the Avant-Garde. Rowman & Littlefield, 2015. Cite
Roberts, John. Revolutionary Time and the Avant-Garde. Verso Books, 2015. Cite
Chapman, Michael. “(Dis)Functions: Marxist Theories of Architecture and the Avant-Garde.” Contemporary Aesthetics 12 (2014). https://digitalcommons.risd.edu/liberalarts_contempaesthetics/vol12/iss1/13. Cite
Cardullo, Robert J. “Ahistorical Avant-Gardism and the Theater.” Neophilologus 97, no. 3 (2013): 437–57. https://doi.org/10.1007/s11061-012-9342-0. Cite
Dunlap, Rudy. “Recreating Culture: Slow Food as a Leisure Education Movement.” World Leisure Journal 54, no. 1 (2012): 38–47. https://doi.org/10.1080/04419057.2012.668038. Cite
Müller, Michael. “Avant-Garde, Aestheticization and the Economy.” Footprint 5, no. 1 (2011). https://doi.org/10.7480/footprint.5.1.729. Cite
Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’ Writings. MIT Press, 2011. Cite
Grindon, Gavin. “Surrealism, Dada, and the Refusal of Work: Autonomy, Activism, and Social Participation in the Radical Avant-Garde.” Oxford Art Journal 34, no. 1 (2011): 79–96. https://doi.org/10.1093/oxartj/kcr003. Cite
Harding, James M., and John Rouse. Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance. University of Michigan Press, 2010. Cite
Adamson, Walter L. “How Avant-Gardes End—and Begin: Italian Futurism in Historical Perspective.” New Literary History 41, no. 4 (2010): 855–74. https://www.jstor.org/stable/23012710. Cite
Harney, Elizabeth. “Postcolonial Agitations: Avant-Gardism in Dakar and London.” New Literary History 41, no. 4 (2010): 731–51. https://www.jstor.org/stable/23012704. Cite
Roberts, John. “Revolutionary Pathos, Negation, and the Suspensive Avant-Garde.” New Literary History 41, no. 4 (2010): 717–30. https://www.jstor.org/stable/23012703. Cite
Andrews, Geoff. The Slow Food Story: Politics and Pleasure. McGill-Queen’s University Press, 2008. Cite
Mitter, Partha. “Interventions: Decentering Modernism: Art History and Avant-Garde Art from the Periphery.” Art Bulletin 90, no. 4 (2008): 531–48. https://doi.org/10.1080/00043079.2008.10786408. Cite
Giunta, Andrea. Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties. Duke University Press, 2007. Cite
Donati, Kelly. “The Pleasure of Diversity in Slow Food’s Ethics of Taste.” Food, Culture & Society 8, no. 2 (2005): 227–42. https://doi.org/10.2752/155280105778055263. Cite
Puchner, Martin. Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. Princeton, NJ: Princeton University Press, 2005. https://doi.org/10.1515/9781400844128. Cite
Petrini, Carlo. Slow Food: The Case for Taste. Columbia University Press, 2004. Cite
Laudan, Rachel. “Slow Food: The French Terroir Strategy, and Culinary Modernism.” Food, Culture & Society 7, no. 2 (2004): 133–44. https://doi.org/10.2752/155280104786577833. Cite
Chrzan, Janet. “Slow Food: What, Why, and to Where?” Food, Culture & Society 7, no. 2 (2004): 117–32. https://doi.org/10.2752/155280104786577798. Cite
Harney, Elizabeth. In Senghor’s Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995. Objects/Histories. Durham: Duke University Press, 2004. Cite
Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge, MA: MIT Press, 2003. Cite
Laudan, Rachel. “A Plea for Culinary Modernism: Why We Should Love New, Fast, Processed Food.” Gastronomica 1, no. 1 (2001): 36–44. https://doi.org/10.1525/gfc.2001.1.1.36. Cite
Critical Art Ensemble. “Electronic Civil Disobedience.” In Electronic Civil Disobedience and Other Unpopular Ideas, 7–32. Brooklyn, NY: Autonomedia, 2001. http://critical-art.net/books/ecd/ecd2.pdf. Cite
Hobsbawm, Eric. Behind the Times: The Decline and Fall of the Twentieth-Century Avant-Gardes. Walter Neurath Memorial Lectures 30. New York: Thames and Hudson, 1999. Cite
Critical Art Ensemble. Digital Resistance: Explorations in Tactical Media. Brooklyn, NY: Autonomedia, 1996. https://monoskop.org/images/d/df/Critical_Art_Ensemble_Electronic_Civil_Disobedience_and_Other_Unpopular_Ideas.pdf. Cite
Graver, David. The Aesthetics of Disturbance: Anti-Art in Avant-Garde Drama. University of Michigan Press, 1995. Cite
Bürger, Peter, and Christa Bürger. The Institutions of Art. Lincoln, Nebraska: U of Nebraska Press, 1992. Cite
Mann, Paul. The Theory-Death of the Avant-Garde. Indiana University Press, 1991. Cite
Cameron, Catherine M. “Avant-Gardism as a Mode of Culture Change.” Cultural Anthropology 5, no. 2 (1990): 217–30. https://www.jstor.org/stable/656457. Cite
Bürger, Peter. Theory of the Avant-Garde. Manchester: Manchester University Press, 1984. Cite
Huyssen, Andreas. “The Search for Tradition: Avant-Garde and Postmodernism in the 1970s.” New German Critique, no. 22 (1981): 23–40. https://doi.org/10.2307/487862. Cite
Thome, Barrie. “Political Activist As Participant Observer: Conflicts Of Commitment In A Study Of The Draft Resistance Movement Of The 1960’s *.” Symbolic Interaction 2, no. 1 (1979): 73–88. https://doi.org/10.1525/si.1979.2.1.73. Cite
Poggioli, Renato. The Theory of the Avant-Garde. Harvard University Press, 1968. Cite
camera_obscura. “London: Stop The City, 1983.” Flickr. Accessed September 20, 2022. https://www.flickr.com/photos/musaeum/sets/72157594454732283. Cite