1960s-1970s Counterculture

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In the Research + Activism Bibliography, 1960’s-1970’s Counterculture is part of a set of categories related to countercultures — movements that oppose, resist, or critique conventional or dominant society through cultural expression or practice (such as through art, lifestyle, etc.) Sub-categories of counterculture include:

  • Avant-garde — innovative artistic and cultural expression in early 20th-century historical avant-garde movements (e.g., dada, surrealism, futurism, etc.) as well as any artistic movements of the 20th and 21st centuries influenced by these movements (e.g., the late 20th century neo-avant-garde).
  • Mid 20th-Century Counterculture — cultural movements of the 1940s to 1960s opposed to dominant culture (e.g., the Beat movement)
  • 1960’s-1970’s Counterculture — including widely-known countercultural movements of the period such as the Hippie movement.

 

Thome, Barrie. “Political Activist As Participant Observer: Conflicts Of Commitment In A Study Of The Draft Resistance Movement Of The 1960’s *.” Symbolic Interaction 2, no. 1 (1979): 73–88. https://doi.org/10.1525/si.1979.2.1.73. Cite
Huyssen, Andreas. “The Search for Tradition: Avant-Garde and Postmodernism in the 1970s.” New German Critique, no. 22 (1981): 23–40. https://doi.org/10.2307/487862. Cite
Hobsbawm, Eric. Behind the Times: The Decline and Fall of the Twentieth-Century Avant-Gardes. Walter Neurath Memorial Lectures 30. New York: Thames and Hudson, 1999. Cite
Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge, MA: MIT Press, 2003. Cite
Harney, Elizabeth. In Senghor’s Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995. Objects/Histories. Durham: Duke University Press, 2004. Cite
Puchner, Martin. Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. Princeton, NJ: Princeton University Press, 2005. https://doi.org/10.1515/9781400844128. Cite
Giunta, Andrea. Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties. Duke University Press, 2007. Cite
Andrews, Geoff. The Slow Food Story: Politics and Pleasure. McGill-Queen’s University Press, 2008. Cite
Harney, Elizabeth. “Postcolonial Agitations: Avant-Gardism in Dakar and London.” New Literary History 41, no. 4 (2010): 731–51. https://www.jstor.org/stable/23012704. Cite
Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’ Writings. MIT Press, 2011. Cite
Müller, Michael. “Avant-Garde, Aestheticization and the Economy.” Footprint 5, no. 1 (2011). https://doi.org/10.7480/footprint.5.1.729. Cite
Chapman, Michael. “(Dis)Functions: Marxist Theories of Architecture and the Avant-Garde.” Contemporary Aesthetics 12 (2014). https://digitalcommons.risd.edu/liberalarts_contempaesthetics/vol12/iss1/13. Cite
Roberts, John. Revolutionary Time and the Avant-Garde. Verso Books, 2015. Cite
Shukaitis, Stevphen. The Composition of Movements to Come: Aesthetics and Cultural Labour After the Avant-Garde. Rowman & Littlefield, 2015. Cite
Charnley, Kim. “Failure, Revolution and Institutional Critique.” Art & the Public Sphere 5, no. 1 (2016): 35–52. https://doi.org/10.1386/aps.5.1.35_1. Cite
Hopkins, David, ed. Neo-Avant-Garde. BRILL, 2016. Cite
Tronti, Mario. The Weapon of Organization: Mario Tronti’s Political Revolution in Marxism. Edited by Andrew Anatasi. Common Notions, 2020. Cite
Woodruff, Lily. Disordering the Establishment: Participatory Art and Institutional Critique in France, 1958–1981. Durham, NC: Duke University Press, 2020. https://doi.org/10.1215/9781478090298. Cite